Tag Archives: usa oldies

“The Dubs – “Could This Be Magic”


Original career, 1956-1958

The original members of the Dubs were:

Richard Blandon (born 16 September 1934 Montgomery, Alabama – died 30 December 1991, New York) (lead)
Cleveland Still (first tenor)
Billy Carlisle (second tenor)
James “Jake” Miller (baritone)
Thomas Gardner, replaced in 1957 by Tommy Grate (bass)

The Dubs formed from the merging of two short-lived vocal groups in Harlem, New York, The Five Wings and The Scale-Tones. The Five Wings (originally “The 5 Stars”) were an up-and-coming group with members Jackie Rue (lead, later of Jackie and the Starlites), Frank Edwards (tenor), Billy Carlisle (second tenor), Melvin Flood (baritone), and Tommy Grate (bass). They recorded for King Records in 1955, but when they were unable to find success, the group began to splinter. Rue, Flood, and Edwards left, Kenny “Butch” Hamilton joined, and, shortly afterwards, Carlisle’s cousin Richard Blandon was in following his discharge from the United States Air Force. Meanwhile, The Scale-Tones had been formed by James “Jake” Miller and Thomas Gardner, who had added Cleveland Still (lead), James Montgomery, and Don Archer. They made one record on the Jay-Dee label in early 1956.

After some prompting by Blandon when he showed up at a Scale-Tones’ rehearsal, a new group emerged. This included Blandon and Carlisle from the Five Wings, and Still, Miller and Gardner from the Scale-Tones. The Five Wings’ manager, Buddy Johnson’s brother Hiram, offered to manage the new group. As The Marvels, they recorded an unsuccessful single, “I Won’t Have You Breaking My Heart”, for ABC-Paramount.

The group then renamed themselves The Dubs, and released Blandon’s song “Don’t Ask Me To Be Lonely” on the Johnson label set up by their manager. Radio acceptance was almost immediate, and the record was picked up for national release on George Goldner’s Gone label. It peaked at #72 on the Billboard Hot 100 charts in the summer of 1957, although like all their other records it surprisingly failed to make the R&B chart. Gardner then left the group to be replaced by Tommy Grate.

The group’s next single, “Could This Be Magic”, also written by Blandon, was another pop hit, rising to #23 later in 1957 and becoming recognized over the years as a doo-wop classic. This success landed the group a spot on an Alan Freed package and they toured extensively in the U.S. and Canada.

However, subsequent singles from the group were less successful and, in November 1958 the group decided to split up, disappointed over their meagre earnings. Blandon joined The Vocaleers (who had previously had a 1953 hit, “Is It A Dream”), and the other members found jobs outside the music industry.

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Posted by on MonAmerica/New_York2018-02-26T10:02:00+00:00America/New_York02bAmerica/New_YorkMon, 26 Feb 2018 10:02:00 +0000 31, in 1960s, guy groups, nostalgic



“Ray Charles – Hit The Road Jack (Original)”


“Hit the Road Jack”

is a song written by rhythm and bluesman Percy Mayfield and first recorded in 1960 as an a cappella demo sent to Art Rupe. It became famous after it was recorded by singer-songwriter-pianist Ray Charles with The Raelettes vocalist Margie Hendricks.

Ray Charles’ recording hit number one for two weeks on the Billboard Hot 100, beginning on Monday, October 9, 1961. “Hit the Road Jack” also got a Grammy Award for Best Rhythm and Blues Recording. The song was also number one on the R&B Sides chart for five weeks, thereby becoming Ray Charles’ sixth number one on that chart. The song is ranked #387 on the Rolling Stone magazine’s list of The 500 Greatest Songs of All Time.


Posted by on MonAmerica/New_York2018-02-05T22:40:00+00:00America/New_York02bAmerica/New_YorkMon, 05 Feb 2018 22:40:00 +0000 31, in 1960s, classic television, nostalgic



Sue Thompson Sings – “Norman”


Sue Thompson

(born Eva Sue McKee; July 19, 1925) is an American pop and country music singer. She is best known for the million selling hits “Sad Movies (Make Me Cry)” and “Norman”, both pop hits in the 1960s.

Early life

Recording career

Within only a year, she had divorced Martin to marry Hank Penny, a comedian and singer. Penny and Thompson hosted a TV show in Los Angeles together before eventually moving to Las Vegas. Thompson recorded separately and also with her husband for Decca Records. However, none of their songs ever gained any real success. In 1960, Thompson signed on with Hickory Records. In 1961, “Sad Movies (Make Me Cry)” became a No. 5 hit on the pop charts, and she followed this up successfully with ”


,” which reached No. 3. Both of these hit singles were written by songwriter John D. Loudermilk. They both sold over one million copies, and were awarded with gold discs.[2]

In 1962, “Have a Good Time” was a Top 40 hit and in 1963, “Willie Can” was a minor hit. Her early 1960s’ hits made Thompson, then in her mid-thirties, a favorite among the teenage crowd and briefly a rival to the much younger Connie Francis and Brenda Lee. Two additional hits, also written by Loudermilk, were “James (Hold the Ladder Steady)” and “Paper Tiger.”

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Posted by on MonAmerica/New_York2017-07-24T09:44:00+00:00America/New_York07bAmerica/New_YorkMon, 24 Jul 2017 09:44:00 +0000 31, in 1960s, female vocalists, nostalgic


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